Giorgio Spagnoli
Seniors at Play (John Gehl)
Overture
I. No One Is Here Yet
II. You Love Me Don't You
III. You Hope They Will
IV. I Am Acting Silly
V. For We Are Two in One, And One in Two
VI. You Don't Know the Word?
VII. "Complicated" Is a Weasel Word
VIII. What Exactly Is a Play?
IX. We Should Agree to Disagree
Teressa Foss, Katherine / Mark Alburger, Martin
Harriet March Page, Vicki / Megan Cullen, Piano
***
Wonderful performances at Krista Freelove's
2131 Broadway studio,
lingering thereafter with Alan Crossman, Martha, and company --
until a Bizet Carmen Flashmob appears,
organized by Paige Patrick (recalling her fantastic contributions in Portraits of ___ (Some Multiple of 3) Women, Op. 231, July 10-11, 2015, Community Music Center, San Francisco), et. al.
42nd
day
of
summer,
high up a tick to 81 (Berkeley, 60 / Oakland, 70),
editing
system
103 new-edition Mice and Men, Op. 45
and doing page 6 orchestration / score-study / etc. for
Opus 65 Orchestrations, Op. 279 (2018)
I. Vincent D'Indy - Minuet on the Name of Haydn (1909)
(after Symphony on a French Mountain Air)
II. Sergei Prokofiev - Music for Children (1935): X. March
(after The Love for Three Oranges)
Igor Stravinsky - Violin Concerto (1931): I
Dmitri Shostakovich - Symphony No. 8, Op. 65 (1943): III
Alan Hovhaness - Avak the Healer, Op. 65 (1946): I
Mark Alburger - Samson and Delilah (The Frank Judges), Op. 65 (1998):
SCENE 1 - Start: I. Digits (Adonibezek)