September 27 - Song of the... Well, Never Mind...


[Seeing the light, understanding Theory thoroughly, ready to take Quiz 6, sometime after 7:55am, Thursday, October 4, at Diablo Valley College Music, Pleasant Hill, CA]


Grand Staves 

Instrumental-Vocal (Bracket and Barline)



Keyboard (Brace and Barline)


(N.B. Barline above is extending upward to an unseen instrumental grand staff)

Choral music is sometimes noted with keyboard-style grand staff - e.g. 2-staff chorales / hymns

While typical Clef Placement is Treble above and Bass below,
it is possible to have two Treble Clefs, or two Bass Clefs



Voices - Approximate Ranges

Soprano (S)
Alto (A)
Tenor (T)
Bass (B)

https://en.wikipedia.org/wiki/Voice_type



Four-Part Voicings of Closed-Spacing Root-Position Chords (Triads), 
Bass and Treble Clefs, Doubled Roots

Keyboard Style

                      S       5th                  Root              3rd
Treble Clef    A      3rd        or       5th       or     Root
                      T      Root                3rd                5th

Bass Clef       B     Root                Root             Root




Vocal Style

                      S          5                  R                3
Treble Clef    A         3                  5                 R
                                            or                or
                      T          R                 3                 5
Bass Clef      B          R                 R                 R




https://en.wikipedia.org/wiki/Chord_(music)

https://en.wikipedia.org/wiki/Harmony 


More Root-Postion Figured-Bass Symbols

5 - alter the 5th above the bass in indicated fashion

Natural Sign - Cancels any Flat or Sharp in Key Signature for designated distance above bass




b - Flat the indicated distance above the bass



(N.B. in Baroque Figured Bass, isolated accidentals imply alterations to the 3rd above the bass)


A, E Major; E / C Minor


Typical pentascale fingering

R.H. 1 2 3 1 2 3 4 5

L.H. 5 4 3 2 1 3 2 1

https://en.wikipedia.org/wiki/A_major

https://en.wikipedia.org/wiki/E_major

https://en.wikipedia.org/wiki/E_minor

https://en.wikipedia.org/wiki/C_minor


Keyboard-Solfege

Antonio Vivaldi (1678-1741) - The Four Seasons (1723): I. Spring: I. Allegro


Solfege in E: Mi Mi Mi Re Do Sol Sol Fa (repeat)

E-Major Pentascale:

R.H. 3 3 3 2 1 5 5 4

L.H. 3 3 3 4 5 1 1 2

https://en.wikipedia.org/wiki/The_Four_Seasons_(Vivaldi)

https://www.youtube.com/watch?v=TKthRw4KjEg



Music Referenced in Week 6


Carlo Gesualdo (1566-1613) - Moro, Lasso (Alas, I Die, 1610)

https://www.youtube.com/watch?v=6dVPu71D8VI
(Recording and Score)

https://en.wikipedia.org/wiki/Carlo_Gesualdo

https://www.allmusic.com/composition/moro-lasso-al-mio-duolo-madrigal-for-5-voices-book-6-w-6-74-mc0002361403


Claudio Monteverdi (1567-1643) - L'Orfeo (Orpheus, 1607): Tu se Morta (You Are Dead)

https://www.youtube.com/watch?v=OGm5TNbA1r4

https://en.wikipedia.org/wiki/Claudio_Monteverdi

https://en.wikipedia.org/wiki/L%27Orfeo

http://imslp.org/wiki/L%27Orfeo,_SV_318_(Monteverdi,_Claudio)


Heinrich Schutz (1585-1676) - Saul, Saul (1650)

http://markalburgermusichistory.blogspot.com/2008/06/heinrich-schutz-1585-1672-saul.html
(N.B. Best heard/viewed on Firefox)

https://en.wikipedia.org/wiki/Heinrich_Schütz

https://www.reddit.com/r/classicalmusic/comments/43mym9/heinrich_schutz_saul_saul_was_verfolgst_du_mich/

http://imslp.org/wiki/Saul%2C_Saul%2C_was_verfolgst_du_mich%3F%2C_SWV_415_(Schütz%2C_Heinrich)


Arcangelo Corelli (1683-1713) - Church Trio Sonata in E Major, Op. 3, No. 7: I. Grave

https://www.youtube.com/watch?v=wx9ZpOMdWZs

https://en.wikipedia.org/wiki/Arcangelo_Corelli

https://en.wikipedia.org/wiki/Trio_sonata

http://imslp.org/wiki/12_Trio_Sonatas%2C_Op.3_(Corelli%2C_Arcangelo)


Henry Purcell (1659-1695) - Dido and Aeneus (1688): Thy Hand, Belinda / When I Am Laid in Earth

https://www.youtube.com/watch?v=uGQq3HcOB0Y
(Vocal / Bass Line Score)

https://en.wikipedia.org/wiki/Henry_Purcell

https://en.wikipedia.org/wiki/Dido_and_Aeneas

http://imslp.org/wiki/Dido_and_Aeneas,_Z.626_(Purcell,_Henry)


Antonio Vivaldi (1678-1741) - Gloria: I. Gloria

https://en.wikipedia.org/wiki/Antonio_Vivaldi

https://www.youtube.com/watch?v=XQx2TWgxX14
 
https://en.wikipedia.org/wiki/Gloria_(Vivaldi)

http://imslp.org/wiki/Gloria_in_D_major,_RV_589_(Vivaldi,_Antonio)


Johann Sebastian Bach (1685-1750)

https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

- Organ Toccata in D Minor (1707)

https://www.youtube.com/watch?v=KU1p7iBSlw8
(Score)

https://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565

- Organ Fugue in G Minor ("Little") (1709)

https://www.youtube.com/watch?v=z6Kq60w-AXk
(Score) 

https://en.wikipedia.org/wiki/Fugue_in_G_minor,_BWV_578

- Organ Passacaglia in C Minor (1713)

https://www.youtube.com/watch?v=STij8KmsgcI
(Score Manuscript!)

https://en.wikipedia.org/wiki/Passacaglia_and_Fugue_in_C_minor,_BWV_582

-The Well-Tempered Clavier, Book I (1722): I. Prelude No. 1 in C Major

https://www.youtube.com/watch?v=otbpdAS2kbw
(John Kirkpatrick, Clavichord, with Score!)

https://www.youtube.com/watch?v=HlXDJhLeShg
(Entire Book I, Harpsichord, with Score!)

https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier


George Frideric Handel (1685-1759) - Messiah: Hallelujah

https://www.youtube.com/watch?v=n4LDVrnAQeo
(Keyboard-Vocal Score)

https://www.youtube.com/watch?v=2iXmIjpGsGc&p=FA3F0EFACB26D72D&playnext=1&index=2
(Live Early-Music performance)

https://en.wikipedia.org/wiki/George_Frideric_Handel

https://en.wikipedia.org/wiki/Messiah_(Handel)

https://en.wikipedia.org/wiki/Messiah_Part_II

http://imslp.org/wiki/Messiah,_HWV_56_(Handel,_George_Frideric)
(Full Score - 44. Hallelujah, at bottom of listings)

***


It's the beginnings of Baroque Harmony for the Theoreticians, with Claudio Monteverdi's Orfeo: Tu se Morta as Dictation / Board Harmony,


plus more great Student Compositions and


Quiz 6


(the musical examples drawn from works of Josquin des Pres, Costanzo Festa, Henry VIII, Louis Bourgeois, and more Monteverdi) --


on


the


184th


day


of


summer,


high


down


2


to


97


(Fairfield, 95 / Pleasant


Hill,


87) --


eventually


touching


base


afterwards


with


Harriet at


Solano College,


then proceeding


to


paper-grading at Gordito's,


followed by


homeward to edit page 9 new-edition Mice and Men, Op. 45 (1992): Act III...